Assis Carreiro
Artist Management 
International Arts & 
Cultural Projects

The Press

'This Sleeping Beauty rocks!' 

- tanz.at

 

'It is a production with a wow effect, the new Sleeping Beauty at the Linz Music Theater.'

'Choreographer and director Andrey Kaydanovskiy creates a new version of the fairy tale that impresses and captivates.'

- Kronen Zeitung

 

'A fairy tale can be reinterpreted in a contemporary way and choreographed with such imagination in dance theatre: Andrey Kaydanovskiy, formerly a dancer in the Vienna State Ballet and since this season fully focused on choreography, has once again proven with "Sleeping Beauty" in the Linz Music Theatre that he is a force to be reckoned with in the future of dance.'

'This Sleeping Beauty is refreshingly contemporary, entertaining and attractive, not least for a young audience. Kaydanovskiy has proven that he also knows how to convince in the genre of full-length narrative ballet.'

- Kurier

 

'Once again, Kaydanovskiy proves his talent for conveying content through dance.' 

- Kurier (on Lux Umbra)

 

'With Lux Umbra, the 35-year-old Kaydanovskiy proves himself to be a highly talented contemporary ballet choreographer.' 

- derStandard.at

 

'Simply sensational and definitely worth seeing!' 

- klassikinfo.de (on Cecil Hotel)

 

'Finally, Cecil Hotel by Andrey Kaydanovskiy proves that contemporary ballet can tell stories in a humorous and surprising way.'

- Klassik begeistert

 

'The timelessness of Andrey Kaydanovskiy's comic-macabre narrative ballet Cecil Hotel, based on the real serial killer's hideout in L.A., is manifested in its absolute suitability for city theater: well made, atmospherically dense, bizarre thanks to virtuoso dangling limbs.' 

- Süddeutsche Zeitung

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'Kaydanovskiy succeeded in creating a spectacle that was exciting in every respect, logical and, above all, entertaining.'

- Bachtrack (on Cecil Hotel)

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'However, the Palme d'Or of the evening went to Andrey Kaydanovskiy, who scored a direct hit with Cecil Hotel.' 

- Kulturvollzug

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'In his blatant political message against the insatiable greed of patriarchal-usurpatory systems of power, he puts his choreographic credo into practice: "If you have something to say, you should say it." He has something to say and even finds a striking form for it. Bravo.' 

- Süddeutsche Zeitung (on Discovery)

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'Subtle and entertaining – you'll want to see this half-hour performance with a soundscape by Dmitry Cheglakov again straight away.'

- tanz.at (on Discovery)

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'Love Song is a sophisticated choreography, oppressive and entertaining at the same time. It should not be overlooked.'

- tanz.at

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'Really thrilling.' 

 - tanz.at (on Blizzard)

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'The Blizzard: a rousing Pushkin adaptation at the Bavarian State Ballet' 

'Kaydanovskiy is a talented storyteller with a great sense of drama, but also of humor.' 

- Bachtrack

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'A full-length narrative ballet that tells a followable story – and is impressively choreographed.' 

'The result is a narrative ballet that, beyond all the classics in the repertoire of the Bavarian State Ballet, enriches the series of dance narratives - there is movement and gesture, there is pantomimic detail and the whole body, which makes all human emotions visible.' 

- Oper & Tanz (on Blizzard)

 

'The highlight of the evening was a Firebird by the already highly decorated young choreographer Andrey Kaydanovskiy. His narrative ballet, marked by a strong, independent aesthetic style, cheekily rejects the old Ballet Russe - while at the same time revitalizing it with a trash look.' 

- Tiroler Tageszeitung

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